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The first room contains the work Further than Beyond: golden strings tensed horizontally between the walls create the bodies of two tetrahedra, one facing the other. The barely visible filaments, which refer to the work of two renewed Venezuelan artists, Gego’s ambient diagrams, and Soto’s Penetrables, as well as to string theory in science, delineate a line between the Earth’s end and the start of the Universe ? the space of perception and imagination. The light dims at the ends of each of the tetrahedra, accentuating the moment the work disappears visually, evoking Derridean deconstruction theory.

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